Mottisfont Abbey
on17th to 27th July 2002
CURIOUSER AND CURIOUSER – WRITER’S NOTES
I took the starting point that ‘Alice’ is all about a little girl who’s adult in her ways, meeting a group of adults who behave like children. Because the adults are still bigger, they still have all the control, and expose Alice to their irresponsible, reckless, selfish and vindictive ways. Alice constantly questions their behaviour, and is endlessly told that it’s perfectly normal, and that it’s her behaviour that is aberrant. The adults hold positions of responsibility, and Alice strives all through the play to gain the status of a queen so that she can be on a level footing with them. When she achieves that, they still reject her, causing her to bemoan ‘I thought when I was a queen too they’d stop doing that!’. She spends the whole play struggling to gain acceptance and admission into the society she’s place in, and has to endlessly compromise her own identity to do so.
The play took three months to write, and six months to edit! The Maskers held a company reading last December and after that there were three more drafts before final scripts were published for rehearsals. During rehearsal time very little in the script has changed, though a few lines have been scrapped, and a couple added in. Working as part of the company has been strange, because I’ve seen at first hand the difficulties presented by what I have written. The logic leaps that escaped my notice when I read my work a hundred times have stared everyone else in the face, the constant repetition of similar lines and words have hindered actors including me from learning their lines, and one question has constantly pestered me: ‘Where did Act Two scene Eight go?’ This scene was cut, but I didn’t adjust the numbering of the following scenes, so ‘2.8’ is a regular fixture on the rehearsal schedule and the play has a ghost scene – very Lewis Carroll.
Lots of people I know have been incorporated into the script. For example, Humpty Dumpty is really my eccentric grandfather. Some of the children I teach may recognize questions they have posed for me being uttered by Alice. Teaching teenage boys makes me realize how many of our adult rules are ridiculous, and a typical teenage disregard for authority and ridicule for the dictates of society has crept into the play.
Jennifer Bartel. July 2002.
Cast | |
Alice | Emily Yates |
Bess | Jennifer Bartell |
Pawns | Matt Avery, Joel Cottrell, Jez Minns, Anthony Rodriguez |
Red Rook | Andrew Wolfe |
White Rook | Emma Carrington |
Red Bishop | John Carrington Snr. |
White Bishop | Mark Pontin |
Lily | Charlotte Williams |
White Queen | Hazel Burrows |
White King | Alan Watson |
Red Queen | Sarah Spencer |
Red King | Paul Baker |
Courtier | Tim Phipps |
Tiger-Lily | Julie Baker |
Jabberwock | John Souter, Ken Hann, Liam Meggison |
Rose | Sarah Lynn, Catherine Blandford |
Larkspur | Mollie Manns |
Daisies | Sonia Morris, Angie Stansbridge |
White Rabbit | Pete White |
Tweedledee | Joel Cottrell |
Tweedledum | Matt Avery |
Caterpillar | John Carrington Jnr. |
Playing Cards: | |
Three | John Carrington Jnr. |
Four | Hannah Stansbridge |
Five | Andrew Wolfe |
Six | Charlotte Williams |
Seven | Anthony Rodriguez |
Humpty Dumpty | Alec Walters |
Haigha | Emma Carrington |
Hula | Helen White |
Unicorn | Jez minns |
Lion | Liam Meggison |
Mad Hatter | Brian Stansbridge |
March Hare | Tony Lawther |
Dormouse | Helen White |
Red Knight | Alec Walters |
White Knight | Jennifer Bartel |
Mock Turtle | John Souter |
Lobster | Babs Williams |
Lovely Icecream Girl | Emma Carrington |
Cheshire Cat | Ken Hann, Jan Ward, John Carrington Snr. |
For the Maskers | |
The Director | Larry Bartel |
Music Composition | Neil Sands |
Director's Assistant | Di Brown |
Production Manager | Christine Baker |
Stage Manager | Angela Barks, assisted by Martin Pettifer, Claire Snook, Caroline Shutt, Paul Dawson-Plincke, Helen white, Emma Carrington |
Lighting Crew | Graham Dennis, Clive Weeks, Nathan Weeks, Mark Bluemel, Phil Moody, Lucy Gradidge |
Sound | Lawrie Gee, Ian MacDonald, Martin Whitaker, Jan Gee |
Technical Effects | Tony Lawther |
Stage Design | Peter Liddiard |
Construction | Peter Liddiard, Roger Lockett, David Jupp, Jim Officer |
Costume Designer/Maker | Serena Brown, assisted by Christine Baker, Sarah Lynn, Kay Hann, Doreen Metcalfe, Helen Officer, Di Rumble, Janice Russell Taylor, John Souter, Sarah Spencer, Amanda Stoodley, Kate Ward, Babs Williams |
Properties | Ella Lockett, assisted by Gill Buchanan, Amy Hayes, Irene Shiell, Jean Durman, Mark Moriai, Mick Bartel, Elizabeth Lynn, Partick Trant, Richard Mears, Simon Pimlett, Tim Score and pupils at St Edward's School, Paul Vincent at Southampton General Hospital, The Nuffield Theatre |
Dance Choreography | Berenice Cottrell |
Musical Director | Tim Cain |
Musicians | Belinda Drew - Piano John Foyle - Bass/Cello Chris Jones - Percussion Mark Godfrey - Trumpet Kate Ward - Saxophone Rachel Smith - Clarinet Kim Versey - Violin Joel Cottrell - Guitar |
Rehearsal Pianist | Ann Cain |
Front of House | Rosie Bartel, Julia Jupp, Stephanie Bartel, plus a host of Masker volunteers |
Mottisfont Ticket Kiosk | Helen Officer, Heather Christinsen |
Marketing and Publicity | Jan Ward, assisted by Alison Ayres, Jo Young, and the Company |
Box Office | Turner Sims Concert Hall |
Hair Stylist | Seven, Romsey |
Photography | Clive Weeks |
Illustrations | Edwin Beechcroft |
Pyrotechnics | Mike Jones from Pains Wessex |
Poster & Programme Design | Piers Cross |
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