The School for Scandal

by Richard Brinsley Sheridan

directed by Ken Spencer

Performed at the

Nuffield Theatre


18th to 22rd January 2000

The School for Scandal ~ Love, Marriage, Divorce and even Sex

Like many elements in the social scene of 1777 attitudes to love and marriage were in a state of flux. It's one of the biggest mistakes one can make to assume that historic and sociological changes happen overnight. They don't, and changing attitudes to marriage are clearly perceptible from the Restoration - over a hundred years before our play - and two distinct attitudes to marriage, co-existing side by side, are very clear. The old view was that romantic love and lust, being ephemeral, had no great part in so important and life-long business as marriage. For the propertied classes the aims of marriage were to ensure the continuity of the male line; the preservation intact of the family property; and the creation, in the broadest possible sense, of political alliances. The decision to marry was a family not a personal decision and even if Lady Teazle had wanted to refuse Sir Peter, which she clearly didn't, it would have been very difficult, given his wealth and position, for her to do so. Lady Teazle has in no way behaved badly or foolishly in marrying for wealth and position; the foolish one, in the eyes of his 18th century world, is Peter, for marrying for love.

It need hardly be said that women got a rotten deal. A husband and wife were one person in the eyes of the law and that person was the man. A woman's property became the man's, absolutely, on marriage. Divorce was very expensive; it took a long time and could only be secured by a private Act of Parliament. Adultery was grounds for divorce if the woman was the adulterous partner, but not the other way round. A wife could only divorce her husband on the grounds of non-consummation or gross cruelty.

But the idea of love as a ground for marriage took such hold that the Hardwick Marriage Act of 1753 made it illegal for young people to marry without their parents' consent until they were 21.

The mid-Georgian period was extremely tolerant of adultery and sexual aberration in general, and by the middle of the 18th century a new ideal for happy life included pleasure and sexual pleasure - something that was not going to come again until the 1960s.

Richard Brinsley Sheridan

Sheridan was born in Dublin, the son of an actor-manager. His mother, Frances, was a novelist and dramatist. He left Ireland at the age of eight, never to return, and was educated at Harrow. His family settled in Bath, and it was there that he met a young singer named Elizabeth Linley, with whom he fell in love. Separated by their disapproving parents, Sheridan (who by this time was reading law) fought two duels with a former admirer of Miss Linley. He and Elizabeth were eventually married in 1773 and he was called to the Bar. Looking for ways to make money, Sheridan hastily wrote a play called The Rivals which was accepted by the manager of Covent Garden Theatre and produced in January 1775. The first performance met with a hostile reception from the audience, due mainly to the excessive length. The play was withdrawn, re-written and re-cast; and only eleven days after the first disastrous performance, became a triumphant hit. Sheridan was to enjoy five years as a celebrity playwright. In 1776 he bought Garrick's share in Drury Lane Theatre, where all his later plays were produced, including The School for Scandal in 1777 and The Critic in 1779. In 1780 he became MP for Stafford and remained in Parliament for thirty years.

Throughout this period he remained manager of Drury Lane Theatre which he rebuilt in 1794, exploiting the popular taste for spectacle and pantomime, but always in financial difficulties and embroiled in arguments with rival theatre managers. In 1809 the Theatre was destroyed by fire, a loss from which he never recovered, and in 1812 he lost his seat at Westminster. His last years were unhappy, spent in ill-health and debt. He died on 7 July 1816 and was given a magnificent burial in Westminster Abbey.

Lady Sneerwell Sarah Lynn
Mistress Sanke Hazel Burrows
Lappett, maid to Lady Sneerwell Hannah Loftus
Joseph Surface Alec Walters
Mari, ward to Sir Peter Amelia Morse
Mrs Candour Jenni Watson
Crabtree Graham Buchanan
Sir Peter Teazle Ken Hann
Rowley Harry Tuffill
Lady Teazle Nicky Housham
Sir Oliver Surface Albie Minns
Moses, a money lender Ken Spencer
Trip, servant to Sir Charles Carl Dunnington
Charles Surface David Cradduck
Careless Alan Watson
Sir Harry Bumper Tony Austin
Toby Maltravers Ron Randall
William, servant to Sir Joseph Tony Bull
Tippett, maid to Lady Teazle Jassie Elliott
For the Maskers
Director Ken Spencer
Stage Manager Helen White
Stage Team Chris Bartwell, Emma Carrington, Matthew Tuffill, Julia Campone, Shauna Lockett, Jez Minns, Val Barwell
Set Design Ken Spencer
Set Construction Douglas Shiell, Jez Minns
Lighting Design Peter Gibson
Lighting Operator Martin Clift
Sound Lawrie Gee
Wardrobe Serena Brown
Costume Hire Royal Shakespeare Company
Properties Ella Lockett, Gill Buchanan
Marketing & Publicity Harry Tuffill, Rob Robinson
Programme Production Sandy White
Lady Macduff Angie Stansbridge
Macduff's Daughter Hannah Stansbridge
Gentlewoman Shona Lupton
Doctor David Jupp
Messenger Jez Minns



click on a photo to enlarge it


Thank You

Your message has been sent. You should receive a confirmation email shortly. If the email does not arrive it is possible that your email address was not entered correctly, please try resubmitting your enquiry.

Shirley's own LOCAL theatre!

Maskers Theatre Company
Off Emsworth Road
SO15 3LX

Registered Charity 900067

Established 1968

 Contact Us


Our postal address is: Maskers Theatre Company, Unit 1, Off Emsworth Road, Shirley, Southampton, SO15 3LX

General Enquiries Form

Please use this contact form for contacting us about any issue. Use the drop-down list to ensure your enquiry gets directed to the correct person.

Any contact details provided will only be used in relation to your inquiry and will be deleted after conclusion.

 Support Us

 Join Us

Join our Email list
and receive updates
about our shows

Subscribe to our mailing list

* indicates required
Are you a member of Maskers Theatre Company?

The Maskers Theatre Company will use the information you provide on this form to be in touch with you and to provide updates and marketing by email. Please confirm you would like to hear from us by ticking the box below:

You can change your mind at any time by clicking the unsubscribe link in the footer of any email you receive from us, or by contacting us at We will treat your information with respect. For more information about our privacy practices please visit our website By clicking below, you agree that we may process your information in accordance with these terms.

We use Mailchimp as our marketing platform. By clicking below to subscribe, you acknowledge that your information will be transferred to Mailchimp for processing. Learn more about Mailchimp's privacy practices here.


 Update Contact Details

Other local theatre events

Some of our performance venues:
Maskers Studio Theatre
The Berry Theatre
Townhill Park House

View our Image Gallery

Access Members Site (Maskers Members only)