PRIDE AND PREJUDICE

 

By Jane Austen

 

Adapted and Directed by Meri Mackney

 

Performed at Mottisfont Abbey from 18th to 28th July, 2007

 

Director’s Notes

I was probably about 9 years old when I first fell in love with Mr Darcy. Over the years, I returned to the book again and again, reading it, teaching it, and never tiring of Austen’s wit, the Bennet family dynamics and the classic love story.

 

Over 25 years of being involved in Maskers productions at Mottisfont Abbey, I had often thought that it would be a wonderful setting for the story. Two years ago, on the set of The Man in the Iron Mask, suddenly I could see it. I mentioned the idea to the productions manager and in no time I was presenting it to the productions panel. Now all I had to do was adapt the book to the space and reduce the running time to about 2 hours! How I envied Andrew Davies the luxury of 6 hours for his television adaptation.

 

It took a full year before the fledgling script was ready to be read by a small group of Maskers. Then the revising process started and continued right through into rehearsals. There have been headaches along the way - not least, the amount of furniture you have to have on a stage with a family of seven to seat - but so much fun and laughter.

 

This production is dedicated to my mother, Marjorie Wright, who loved Austen’s stories and introduced me to them at a young age. She greatly enjoyed the planning stages of this play, reading sections of the script as I completed them, and discussing with me character development and the perils of adaptation for an open air show. Sadly, she didn’t live to see the actual production but I’m sure she’s still supporting us wherever she is.

 

Our other dedication is to Alan Baker, a much loved, unsung worker on so many Mottisfont shows. We will miss him and his video camera at this production.

 

I have been really excited by the whole process of taking Pride and Prejudice from book to script to stage. I hope you enjoy the end result.

 

Meri Mackney

 

The Cast

 

Mr Bennet  

Ken Hann

Mrs Bennet  

Hazel Burrows

Jane Bennet  

Rachael Courage

Elizabeth Bennet  

Susannah Lawther

Mary Bennet    

Katherine Harris

Kitty Bennet  

Harriet Clayton

Lydia Bennet  

George Moody

Charlotte Lucas  

Hannah Price

Sir William Lucas  

Bruce Atkinson

Lady Lueas    

Clare Minns

Mrs Phillips   

Christine Baker

Charles Bingley  

Matt Avery

Fitzwilliam Darey  

Steve Cosier

Caroline Bingley  

Suzanne Provins

Mr Collins  

Adam Taussik

Mr Wickham   

Peter Burrows

Georgiana Darcy  

Alex Austin

Colonel Forster  

Jonathan Shepherd

Mrs Forster  

Sally Scott

Denny  

Justin Marsh

Mrs Gardiner    

Jo Iacovou

Lady Catherine de Bourgh   

Allegra Carlton

Colonel Fitzwilliam  

Paul Baker

Mr Gardiner    

Albie Minns

Housekeeper  

Brenda Atkinson

Butler 

Graham Skinner

Maid (Longbourn)   

Leah Kibble

Maid (Rosings)    

Hayley Cheeseworth

Maid (Vicarage)    

Mary Hamilton

Ball guests   

Paula Beattie, Jane Miller, Linda Webb, James Norton, Ross Holland

 

Production Team

 

Director  

Meri Mackney

Production manager   

Chris Baker

Assistant Director 

Hazel Burrows

Stage manager  

Nick Lawther

Backstage Manager    

David Fancett

Costume design  

Serena Brown,

Wardrobe   

Serena Brown, Allegra Cariton, Paula Beattie

Set design 

Peter Liddiard

Set construction 

David Jupp, Peter Liddiard and team

Set Dressing   

John Carrington

Lighting design   

Tony Lawther

Recorded Sound    

Jamie McCarthy

Live Sound  

Tony Lawther

Technical team   

David Ilsley, Emma Golby-Kirk, Nathan Weeks, Craig Mintram

Properties  

Ella Lockett, Gill Buchanan, Alison McCarthy, Liz Hill

Front of house managers  

Geoff and Pam Cook, Julia Jupp

Publicity Design   

John Hamon

Programme  

Sandy White

Marketing   

Angela Stansbridge, Luciana Lattanzi, Sarah Russell

Photography   

Clive Weeks

Flower Arrangements    

Jane Ford

 

Horses and Carriages          Kevin and Samantha Madgwick Of Absolutely Fabulous - www.abfabulous.co.uk

 

Music used in this production by kind permission of Martin Souter and The Jane Austen Centre, Bath.

The Beau Nash Ensemble and Minerva Records, Bath.

Mary  playing - recorded by Chris Bluemel on a period piano, courtesy of David Owen Norris.

 

 

Jane Austen was born on December 16th, 1775 at Steventon, near Basingstoke; she was the seventh child of the Rev. George Austen and his wife Cassandra. The Parish Register for Steventon records Jane’s baptism on the day following her birth, and the Register is in the Hampshire Record Office, Winchester.

 

After her father’s death in 1805, she moved with her sister and mother to Southampton in the autumn of 1806, staying temporarily with her brother Frank, by then a naval captain, who had rented lodgings in Southampton. They then moved to a house in Castle Square, where the Bosun’s Locker public house now stands, which they rented from the Marquess of Lansdowne.

 

In July 1809 they moved to a cottage in the village of Chawton, on the estate owned by her brother Edward. It was here that Jane Austen spent the last eight years of her life, and where she revised not only Pride and Prejudice but also Northanger Abbey and Sense and Sensibility, as well as writing Mansfield Park, Emma and Persuasion entirely at Chawton.

 

Early in 1817 Jane became ill and was referred to a doctor in Winchester. She moved into lodgings in College Street in Winchester with Cassandra for the last few weeks of her life. She died on the l8th July l8l7 at the age of 41, and was buried in Winchester Cathedral. “It is a satisfaction to me to think that [she is] to lie in a Building she admired so much,” her sister Cassandra Austen wrote later.

 

Pride and Prejudice

The manuscript was first written between 1796 and 1797, and was initially called First Impressions, but was never published under that title. First Impressions was the first of Jane Austen’s works to be offered to a publisher, but the publisher turned it down without even looking at the manuscript. After some revision, it was published on 28 January 1813.

 

Marriage is set as a theme of the novel in the first chapter, and in the famous opening line - “It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife.”

 

The novel portrays life in the genteel, rural society of the day and tells of the initial misunderstandings between Elizabeth Bennet and Darcy.

 

Her biting social commentary and acute observation, her wit and irony, made Austen one of the most influential and respected novelists of the early nineteenth century. In her novels, and in her letters, she explores what she described as the ‘little matters’ of women’s daily lives - ‘Little Matters they are to be sure, but highly important.’
 

 Photographs by courtesy of Clive Weeks ( www.cwphotos.co.uk )

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