THE BEAUX’ STRATEGEM

 

by George Farquhar

 

Performed at Mottisfont Abbey on 17th to 25th July,1987

 

CAST (in order of appearance)

Boniface

 Ken Spencer

Cherry

Angela Stansbridge

ThomasAimwell

Malcolm Brown

Francis Archer

Bill Mccann

Dorinda

Belinda Drew

Mrs Sullen

Mollie Manns

Squire Sullen

Albert Minns

Scrub

David Bartlett

Gibbet

John Souter

Gipsy

Philippa Taylor

Foigard

Harry Tuffill

A Country Woman

Jean Durmam

Lady Bountiful

Joan Johnson

Hounslow

Graham Hill

Bagshot

Derek Sealy

Sir Charles Freemam

David Pike

Travellers And Members Of The Household

Georgina Bance, Hazel Burrows, Janet Cairney, Holly Deacon, Alice Watson, Ellen Watson, Jenny Watson, Richard Tuffill, Alan Watson

 

For the Maskers

Director

Ken Spencer

Production Assistant

Philippa Taylor

Stage Manager

Angela Barks

Lighting Design

Clive Weeks

Lighting Operators

Lawrie Gee, Scott Chapman, Kevin Smith

Souond

Angela Barks, Tony Lawther, Jan Ward

Set Design

Ken Spencer

Set Construction

David Allen, Edwin Beecroft, Tony Lawther, John Riggs, Richard Tuffill

Properties

Ella Lockett, Georgina Bance, Richard Tuffill

Wardrobe

Janet Cairney, Ros Liddiard

 

George Farquhar

‘It is surprising how much English Comedy owes to Irishmen’. Thoroughly Irish by birth and education, Captain George Farquhar (1677-1707) had delighted the town with a succession of bright, rattling comedies - Love and a Bottle (1698), The Constant Couple (1699),Sir Harry Wildair (1701),The Inconstant (1702) The Twin Rivals (1702.), The Recrulting Officer(1706). In an unlucky moment, when hard pressed by his debts, he sold out of the army on the strength of a promise by the Duke of Ormond to gain him some preferment, which never came. In his misery and poverty, with a wife and two helpless girls to support, Farquhar was not forsaken by his one true friend, Robert Wilks. Seeking out the dramatist in his wretched garret in St.Martin’s Lane, the actor advised him no longer to trust to great men’s promises but to look only to his pen for support, and urged him to write another play. ‘Write!’ said Farquhar, starting from his chair; ‘Is it possible that a man can write with commonsense who is heartless and has not a shilling in his pockets?’ ‘Come, come, Geoarge,’ said Wilks, ‘banish melancholy, draw up your drama, and bring the sketch with you tomrrow, for I expect you to dine with me. But as an empty purse may cramp your genius, I desire you to accept my mite; here is twenty guineas.’

 

Farquhar set to work, and brought the plot of his play to Wilks the next day; the latter approved the design, and urged him to proceed without delay. Mostly written in bed, the whole was begun, finished and acted within six weeks. The author designed to dedicate it to Lord Cadogan, but his Lordship, for reasons unknown, declined the honour; he gave the dramatist a handsome present, however. Thus was The Beaux’ Stratagem written.

 

Farquhar is said to have felt the approaches of death ere he finished the second act. On the night of the first performance Wilks came to tell him of his great success, but mentioned that Mrs Oldfield wished that he could have thought of some more legitimate divorce in order to secure the honour of Mrs Sullen. ‘Oh,’ said Farquhar, ‘I will, if she pleases, solve that immediately, by getting a real divorce; marrying her myself, and giving her my bond that she shall be a widow in less than a fortnight.’ Subsequent events practically fulfilled this prediction, for Farquhar died during the run of the play : On Tuesday, 29th April, 1707, the plaudits of the audience resounding in his ears, the destitute, brokenhearted dramatist passed to that bourne where stratagems avail not any longer.

 

(from a Preface to the play by H. Macaulay Fitzgibbon)